Swinging sounds at JW Hair and The Gaslight Club today

The Sands come to James Whitaker Hairdressers Enfield a day full of swing classics ;o] then The Gaslight Club opens at 8 pm in The Kings Head Everyone welcome along to both events

great day of “lost” masterpieces plus the usual rawk

Wednesday at James Whitakers award winning salon on Lancaster Road will be rocking out ealy and features from 1pm three great "what might have been" lps….Crosby,Stills Nash & Young "HUMAN HIGHWAY" The Who " PICTURES OF LILY " and Pink Floyds possible last hurrah with Syd "SET THE CONTROLS FOR THE HEART OF THE SUN….
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PINK FLOYD
SET THE CONTROLS FOR THE HEART OF THE SUN
1.  Vegetable Man

2.  Apples and Oranges
3.  Late Night
4.  Remember A Day
5.  a) Golden Hair
      b) Set The Controls For The Heart of The Sun

 


Side B:

6.  Lanky, Part One

7.  Paint Box
8.  Clowns and Jugglers
9.  Scream Thy Last Scream
10.  Jugband Blues 

 

OK the huge unanswerable question “What if Syd Barrett hadn’t been dismissed from Pink Floyd?”  Set the controls…. is the  theoretical 1968 follow up to 1967’s The Piper At The Gates of Dawn, using tracks from Pink Floyd’s A Saucerful of Secrets sessions and Syd Barrett’s The Madcap Laughs sessions to create a second album of Syd Barrett-led Pink Floyd, an album that should have been and to this day,sadly never was.

 The Syd era in Pink Floyd’s history is sadly remembered only for The Piper At The Gates of Dawn.  But thankfully we can now address that historical sin.
We only include A Saucerful of Secrets tracks that  feature Syd Barrett: “Remember a Day”, “Set The Controls For The Heart of The Sun” and of course “Jugband Blues”.  If we add the Syd penned “Apples and Oranges” and “Paint Box"  “Vegetable Man” and “Scream Thy Last Scream” we have half an LP of public domain tracks already

After Barrett’s dismissal from Pink Floyd, he gathered himself in 1968 to record his first solo album,The Madcap Laughs.  The album was essentially recorded in three sessions: May-June 1968 with Peter Jenner, April 1969 with Malcolm Jones and July-August with former bandmates David Gilmour and Roger Waters.  For the sake of chronological continuity, we are only going to utilize the material Barrett recorded in his initial 1968 sessions (swiftly overlooking the overdubs made in 1969, of course), pairing them with the aforementioned material from the A Saucerful of Secrets sessions recorded in late 1967 and early 1968.  Focusing on the material that sonically fits with the previous seven selected Pink Floyd recordings, we are using “Late Night” and an alternate version of “Golden Hair” from The Madcap Laughs remaster, as well as “Clowns and Jugglers” and “Lanky (Part One)” from the Opelremaster.  

The sequence of The Shape of Questions to Heaven was heavily influenced by its actual previous albumThe Piper At The Gates of Dawn but almost all of the tracks were crossfaded to create a continuous two sides of music (a tactic Pink Floyd would later explore in the following years).  My re-imagining begins with a duo of uptempo rockers (“Vegetable Man” and “Apples and Oranges”) before a low-key decent with the following two songs (“Late Night” and “Remember The Day”), allowing the side to slowly wind down.  Side A concludes with an original edit of “Golden Hair” and “Set The Controls For The Heart of The Sun”, crossfaded into each other creating a seven-minute epic.  Although placed with a record-flip in-between, the psychedelic-jazz jam “Lanky, Part One” continues the mood set by the previous suite, even staying in the same key and mode.  After the rare stereo mix of Richard Wright’s “Paint Box”, the album picks up for a glorious and increasingly paranoid finish with “Clowns and Jugglers”, “Scream Thy last Scream” and the prophetic “Jugband Blues”. 

The Shape of Questions to Heavens shapes out to be an album very indicative of Syd Barrett’s mindset in 1968.  Although we largely have similar full-band Pink Floyd song arrangements as found on their debut psyche-pop debut, the off-kilter songwriting leans towards the bizarre, with two Richard Wright and a Roger Waters-penned song picking up the slack for their slipping songwriter.  We are fairly certain the album would have been a commercial flop, probably too avant-garde for the mainstream 1968 and too lacking in commercial singles, with “Apples and Oranges” the only possible contender (which was a failed single in itself).  Regardless, it is an enjoyable listen and an interesting alternative to A Saucerful of Secrets, and succeeds in creating an album that demonstrates just what Pink Floyd could have done with their lunatic on the grass.  
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THE WHO
PICTURES OF LILY
Side A:
1.  Armenia City in The Sky
2.  Mary Anne with The Shaky Hand
3.  Pictures of Lily
4.  In The Hall of The Mountain King
5.  Our Love Was
6.  I Can See For Miles
 
Side B:
7.  I Can’t Reach You
8.  Silas Stingy
9.  Glittering Girl
10.  Tattoo
11.  Relax
12.  Rael (1 and 2)

  This compilation attempts to reproduce what the original incarnation of the SELL OUT album could have sounded like,before Pete came up with the SELL OUT concept.Some edits were required to create the best sounding masters possible.
As 1967 began The Who saw the musical enviroment changing and returned to IBC studios in early April to cut a handful of songs for a new single, considering “Glittering Girl”, “Doctor Doctor” and “Pictures of Lily”,  They planned to follow the single with an instrumental EP featuring the Ox's masterpiece “Sodding About” and a psychedelic re invention of  Greig’s “In The Hall of the Mountain King” from Peer Gynt.Whilst both tracks were fantastic the project was dropped before it could be developed further.
In May following on from the success of “Pictures of Lily”,  they began work on a new project.  Daltrey came up with“Early Morning: Cold Taxi”; the Loon gifted “Girl’s Eyes”; the Ox “Someone’s Coming”; whilst Pete contributed, “I Can See For Miles”; plus a recording of  “Armenia City in the Sky”, a song written by  Speedy Keen (of Thunderclap Newman) .  Half the album was done before they headed off to the  Monterrey Pop Festival, They returned home to De Lane Lea Studios in July, cutting “I Can’t Reach You” and “Relax”. further tracks were due to be cut whilst touring Stateside with Hermans Hermits.
 In an attempt to finish Pictures of Lily for its proposed summer release, Townshend whittled his rock opera down from 30 minutes into a 10 minute opus; it was further bastardised for consideration as a single! “Our Love Was” and “Mary Anne with The Shaky Hand”, were recorded at Mirasound with sweetening done in Nashvilles Columbia Studios,  After more work was done at Columbia Studios, a September session was held at at Goldstar in LA to sweeten “I Can See For Miles”, a total of ten album contenders were to be paired with “Pictures of Lily” (and possibly it’s b-side “Doctor Doctor” or session outtake “Glittering Girl”).  This was most certainly the Pictures of Lily album
 
In October the  band created several more proper Who songs to replace material recorded earlier in the year: Entwhistle’s “Silas Stingy”; Townshend’s “Tattoo” and  “Sunrise”; updated versions of “Glittering Girl” (now with  Roger’s vocal), “Mary Anne with The Snaky Hand” (now acoustically laid-back) and “Rael” . Then choosing the original “Rael” over the new version (although the final minute was excised , a few faux jingles and Who's Lily was re christened Sell Out .
==========================================================================
 

CROSBY,STILLS,NASH & YOUNG
HUMAN HIGHWAY
Side A:
1.  Carry Me
2.  See The Changes
3.  Through My Sails
4.  Prison Song
5.  Homeward Through The Haze
6.  Black Coral
 
Side B:
7.  First Things First
8.  Human Highway
9.  And So It Goes
10.  Taken At All
11.  Long May You Run
12.  As I Come Of Age
 I thought it couldn’t be done, but turned out to be quite easily doable.  Human Highway was initially begun in 1973 and scrapped; then a second attempt was made in 1974, but scrapped again; a final attempt to turn the 1976 Stills-Young Band album Long May You Run into a full-blown reunion of the quartet was again unsuccessful.  What we have is the LP  that would have been the follow-up to Déjà Vu
The quartet reformed at Neil Young’s Broken Arrow Studios in Hawaii, and half an LP entitled Human Highway, was recorded Graham Nash even organized a band photo-op as a possible album cover.   Nash's contributions “Prison Song”, “And So It Goes” and “Another Sleep Song” were rerecorded and released on his solo LP  Wild Tales.
The group tried again after their monumentally successful re-union tour of1974 .  But clashing personalities again got in the way of the music, particularly Graham Nash’s refusal to sing a minor note inside a major chord.  Neil Young  walked away from the project unannounced after only less than half of an album was recorded and Nash left after refusing to sing a minor note in a major chord,,.  All of the Human Highway originals  “Wind On The Water” “Carry Me” “Homeward Through The Haze” Stephen Stills’ “My Angel’, “First Things First”, “As I Come Of Age” and “Myth of Sisyphus”  “Though My Sails”, were later re-recorded and placed on subsequent projects. 
By 1976 Human Highway was re activated ,  “Time After Time” and Young’s “Long May You Run” new versions of “Human Highway” and “Taken At All” were recorded  To this day it is unclear why, but those two tracks were left on the cutting-room floor and all of Crosby & Nash’s vocals were wiped from the mastertapes.  Long May You Run was released by the The Stills-Young Band and the Human Highway was demolished forever.    
Graham Nash has been quoted that there would have  been ten songs on the actual album,but looking at the many titles banded about they recorded between 20-30 songs depending on who you choose to believe!
To re invent Human Highway, I used songs debuted during the 1974, which were: “As I Come Of Age”, “Human Highway”, “And So It Goes”, “Prison Song”, “Another Sleep Song”, “Carry Me”, “Long May You Run”, “My Angel”, “Pushed It Over The End”, “Traces”, “First Things First”, “Love Art Blues”, “Myth of Sisyphus”, “Time After Time” and “Hawaiian Sunrise” plus each and every studio recording has to have featured at least three of the four members of CSNY.  leaving only “Long May You Run”, “Human Highway” and “Pushed It Over The End”  “As I Come Of Age”, “First Things First” and “And So It Goes”  “Through My Sails”,the full CSNY version of “See The Changes” from a 1974 rehearsal session; “Homeward Through The Haze” is allegedly the only completed full CSNY recording from the 1974 sessions; the full CSNY version of “Taken At All” from the aborted 1976 CSNY sessions, as well as an early mix of the Stills-Young Band track featuring Crosby & Nash’s vocals, “Black Coral”.  Plus two more that feature at least half the band“Carry Me” and “Prison Song”—to make it a 40 min LP of 2x 20 min sides. 20-minute sides. 
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STREAMING LIVE FROM JAMES WHITAKERS HAIR SALON

STREAMING LIVE FROM JAMES WHITAKERS HAIR SALON ………………..A day of "the greatest rock n roll band in the world !" streaming from the greatest rock n roll award winning salon in North London…it's The Rolling Stones 1963-66 Day…EP's, 45's,Lp's rarities and a few live tracks too

12/04/2016

OK Breakfast with jazz tributes to The Beatles, Pf Sloan and JS Bach then a thunderous tribute to the Doors Morrison Hotel/Hard Rock Cafe …THE DOORS …..AN ALTERNATE HARD ROCK CAFE/MORRISON HOTEL

LIVE – AN HOUR FOR MAGIC [55.21]

Roadhouse Blues 
Sunday Trucker/Build Me A Woman
Ship Of Fools
Universal Mind
Rock Me
Someday Soon
Peace Frog
Blue Sunday
Goin' To NYC Blues
Gloria.
===========================
OUT TAKES AND REHEARSALS [34.53]

I Will Never Be Untrue
Build Me A Woman
Close To You [Ray lead vocal]
You Need Meat [Go No Further] [Ray lead vocal]
I'm Your Doctor [Ray lead vocal]
Midnight Train
Crossroads
Gloria
===========================
EDITS/ALTERNATES,SESSIONS AND HYBRIDS

Roadhouse Blues [27.52]
Waiting For The Sun [15.45] 
You Make Me Real [16.53]
Peace Frog [13.41] 
Blue Sunday [8.30]
Ship Of Fools [12.15]
==================
Land Ho ! [13.23]
The Spy [13.52]
Queen Of The Highway [19.26]
Indian Summer [9.40]
Maggie M'Gill [18.05]

===========================

MORRISON HOTEL

Musicians

James Douglas Morrison– lead vocals,maracas, tambourine, buried harmonica track 1
Raymond Daniel Manzarek – Tack Piano on tracks 3 and 8, G101 organ on tracks 2 and 5, Vox Continental Organ on tracks 4, 6, 7 and 10, piano on tracks 1 and 8,Wurlitzer electric piano on track 9, Fender Rhodes Piano Bass on track 10, Hammond C-3 on track 11, RMI Electric Piano on track 2.Moog on track 2.
Robby Krieger– Guitar = Gibson SG and,Gibson Les Paul Custom
John Densmore – Drums, Percussion.
===============================
Additional musicians
=================================
Lonnie Mack– bass guitar on tracks 1 and 11
Ray Neapolitan – bass guitar on tracks 2 to 9
John Sebastian (as "G. Puglese") – harmonica on track 1
===============================
Technical personnel
================================
Paul A Rothchild – Producer
Bruce Botnick Engineer
Gary Burden – Sleeve Design
Henry Diltz– Sleeve Photography
================================

The Souths gonna rise like a Freebird

southern rawk and hard rock classics today at www.radiojj.co.uk Led Zeppelin Cream Derek and the Dominoes Black Oak Arkansas Lynyrd Skynyrd Eagles Doors Tom Petty Jerry Garcia Jefferson Airplane Ronnie Hawkins The Byrds Molly Hatchett Marshall Tucker Band Blackfoot Flying Burrito Brothers Gram Parsons The Outlaws Wet Willie Allman Brothers ZZ Top Rolling Stones Dan Baird Georgia Satellites ZZ Top Duane Allman Jimmy Van Zant Johnny Jenkins Grateful Dead and more ….then Streaming a dern tootin',collection of my Southern Rawk druthers fromJames Whitakers Hair Salon Wednesday,all of which are hotter than a goats butt in a pepper patch and so granny slappin' wholesome y'all gotta be there..tune in at www.radiojj.co.uk from lunchtime featuring – the Ozark Mountain Daredevils Charlie Daniels Band, the Outlaws, Lynyrd Skynyrd, The Allman Brothers, The Band, the Georgia Satellites, Louisiana's Le Roux, Marshall Tucker Band, Barefoot Jerry, Wet Willie, Grinderswitch, Black Oak Arkansas,Molly Hatchet, Atlanta Rhythm Section,Blackfoot and ZZ Top…The South’s Gonna Rise Again

southern rawk and hard rock classics today at www.radiojj.co.uk

southern rawk and hard rock classics today at www.radiojj.co.uk Led Zeppelin Cream Derek and the Dominoes Lynyrd Skynyrd Eagles Doors Tom Petty Jerry Garcia Jefferson Airplane Ronnie Hawkins The Byrds Molly Hatchett Marshall Tucker Band Blackfoot Flying Burrito Brothers Gram Parsons The Outlaws Wet Willie Allman Brothers ZZ Top Rolling Stones Dan Baird Georgia Satellites ZZ Top Duane Allman Jimmy Van Zant Johnny Jenkins Grateful Dead and more

lynyrd skynyrd and merle haggard tribute day

lynyrd skynyrd and merle haggard tribute day , thinking of Jimmie and Merle today

guns n roses day at James Whittakers Hair Salon

Guns n Roses day at James Whitakers tomorrow..kicking off with Hollywood Rose and LA Guns then working our way thru G'n'R history,live,unplugged,studio…the salons gonna rawk

Monday – lost Psychedelic Artifacts

Monday we are celebrating some true overlooked classics….featuring Victoria, Sweetwater, Paul and Georgia, The Comfortable Chair and the Butts Band….so join me on a trip down memory lane at www.radiojj.co.uk
Victoria
 Victoria were superb band who made an ultra rare US psych concept album that has a Sweetwater/Airplane feel. 
This psych beauty, sometimes dreamy, sometimes totally wild,sometimes so far out it's in has female vocals, 
titanic horns & distorted guitars. Sweet tunes full of full on dark psych-power. 
Greg Ruban, the composer and front-man of Victoria recorded their one album just before 
he had to go to Vietnam. When he returned from War, obviously mentally snafu'd,
he took his unreleased album on a 3 month trip to Europe on a motorbike to promote it, 
but unfortunately that did not work out at all. The project died there and then but not anymore…..
 
Members SHARON BARTON, MAUREEN DEIDELBAUM GREG RUBAN,CHERYL SIMPSON

Peace – 2.44 
Cumberland – 4.41 
Gevaro – 4.11 
Ride A Rainbow – 2.50 
Never Knew Blues – 4.58 
Down To The Park – 2.57 
Village Of Etaf – 12.23 
Core Of The Apple – 8.09 
there are a few alts and diff acetates flying about that include
Mister Let Me Go (Bonus Acetate) – 3.37 
Johny & Lisa (Bonus Acetate) – 3.02 
Peace (Bonus Acetate) – 2.52 
Cumberland (Bonus Acetate) – 2.51 
Child Of Princess (Bonus Real-To-Real Track) – 3.07 
Sundance (Bonus Real-To-Real Track) – 1.46 
Wheels (Bonus Real-To-Real Track) – 2.02
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Paul and Georgia
 
In 1965, Jim and Ray studied at the Theatre Arts Department of the University of California, Los Angeles (UCLA). Here, they befriended another film student Paul Ferrara, who later went on to become the band’s official photographer and cinematographer. 
 
Georgia Newton belonged to a Californian aristocratic conventional family. As a teenager, she hitchhiked regularly and joined other youngsters on the Sunset Strip, where she also met John and Robby. Paul met Georgia in 1968 for the first time during the screening of 2001: A Space Odyssey. Very soon, the two became a couple.Paul and Georgia shared a remarkable love for music. During the course of their relationship, they recorded many songs. But The Paul And Georgia Album is the only album of the duo that exists. It was released just a few years ago when their recordings, unheard for several years, were found at Paul’s New Mexico ranch. They were then digitalised from their analogue forms. 
 
The pair’s music grants the listener a path to escape and experience, via ears, a ride through the tumultuous nomadic lives of the 60s American generation.  Every song has been intrinsically woven with a great depth in lyrics, and yet clutching its simplicity till the very end.
Paul played the acoustic guitar smoothly and Georgia offered her haunting vocals. Her voice may sound like the blended vocals of an eerie Native American folk singer and other female musicians – Grace Slick and Joan Baez.
 
The Doors have also rendered music in two songs of this album. In Hopi Robby gives a guitar solo and Jim sings a bit at the starting. The other one is One More Drink, which was initially supposed to be sung by Janis Joplin. 
 
Paul shot several photographs of The Doors, including the cover and promotional photographs for their album Waiting For The Sun. He created the ‘Lizard King’ image of Jim, and directed the movie HWY: An American Pastoral, with Jim playing the lead character of a road killer in the Joshua Tree desert of California. The film features the song Bald Mountain from The Paul And Georgia Album. It turns out that Jim really liked this musical piece and wanted to use it in the plot.
 
1. Paul & Georgia – Hopi  2:49
2. Paul & Georgia – Salt2:15  
3. Paul & Georgia – Change3:07  
4. Paul & Georgia – One More Drink2:58  
5. Paul & Georgia – Nuilena3:22    
6. Paul & Georgia – Sweet Wine3:15  
7. Paul & Georgia – Black Gold3:15  
8. Paul & Georgia – Bald Mountain3:11  
9. Paul & Georgia – James3:03  
10. Paul & Georgia – Black Jack Pine2:32  
11. Paul & Georgia – How Have You Been3:38  
12. Paul & Georgia – Not Right to Fight1:56  
13. Paul & Georgia – Joyride3:04  
14. Paul & Georgia – Need You2:51    
15. Paul & Georgia – Ice Cream1:38 
 
  • Drums: John Densmore
  • Guitar: Paul Ferrara
  • Violin: Tim McIntire
  • Keyboards: Ray Manzarek
  • Vocals: Paul Ferrara
  • Guitar: Robby Krieger

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The Comfortable Chair was a west coast band that released a 1969 self-titled album The Comfortable Chair.
The Doors ' band members John and Robby served as producers for their sole 1969 album on ode records
The band was never big outside of the 1960s California circuit. The album features all-original songs (virtually every band member contributing to the writing chores). The lead singers are Bernie Schwartz and Barbara Wallace. Songs include Ain't No Good No MoreLet Me Through, and the ballad I'll See You.
The band made its film debut in the hope/gleason comedy vehicle movie How to Commit Marriage (1969) as a psychedelic-hippie rock band associated with the young people in the plot of the story. This group appeared in video-style presentation in the film, performing their hippie anthem, A Child's Garden.
 They were a band heavily influenced by the likes of It's a Beautiful Day,Sweetwater and Jefferson Airplane
1. Ain't No Good No More
2. Child's Garden
3. I'll See You
4. Princess
5. Now
6. Some Soon Some Day
7. Be Me
8. Loved It All
9. Let Me Through
10. Stars In Heaven
11. Pale Night Of Quiet
12. The Beast

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THE BUTTS BAND
Butts Band was a British and American group formed by ex-Doors members John Densmore and Robby Krieger that was active from 1973-1975. The band released two albums. With the exception of Krieger and Densmore, both albums consisted of different band personnel.
Butts Band came about as a consequence of The Doors trying to find a replacement for Jim Morrison. The remaining Doors were in London in 1973 had auditioned several British singers including Howard Werth (the singer with Audience), Kevin Coyne (from Siren) and Jess Roden (who was the leader of Bronco UK).
Howard Werth rehearsed with the band for a week with a view to stepping into Morrison's shoes. Elektra records founder Jac Holzman favoured Werth as he had at one stage foreseen Audience taking over The Doors' spot on Elektra – but Audience had fallen apart and he now saw Howard and The Doors merging as the new Doors. However, Ray Manzarek and his wife Dorothy were expecting a child, and Manzarek eventually called it off and went back to Los Angeles, leaving Densmore and Krieger in London. They began looking for a new project, linking up with Roden, Phil Chen and Roy Davies to form the Butts Band.
In an early interview in Melody Maker or NME Krieger explained the origin of the name: "'Butts Band' equalled a bunch of losers desperate for a gig, hence the tattered speaker on the front cover."
Their debut, the self-titled album Butts Band was released in 1974. After the pressure of two members living in California and three in London led the band to split (following a low key tour and the odd TV appearance), Krieger and Densmore released all the band members and recruited an all American band to produce a second album, titled Hear and Now, in 1975.

Former members

  • John Densmore – drums (1973-1975)
  • Robby Krieger – guitar (1973-1975)
  • Phil Chen – bass (1973-1974)
  • Roy Davies – keyboards, synthesisers (1973-1974)
  • Jess Roden – vocals (1973-1974)
  • Mick Weaver – organ (1973-1974)
  • Mike Berkowitz – drums (1974-1975)
  • Alex Richman – keyboards, vocals (1974-1975)
  • Karl Ruckner – bass (1974-1975)
  • Michael Stull – guitar, vocals (1974-1975)
  • David Paul Campbell – keyboards, vocals (1975)
SWEETWATER

Sweetwater was an American rock band originally from Los Angeles, California. They were the act scheduled to open the Woodstock Festival in 1969; however, due to being stopped by the police on their way to the festival, folksinger Richie Havens' trio (Daniel Ben Zebulon, percussion, Paul "Deano" Williams, guitar, backing vocals) performed first. Sweetwater performed next, becoming the first band to perform at the festival.[1]

The band originally formed to perform in local coffee houses in Los Angeles until being signed to a major label. Sweetwater were early developers of the psychedelic rock/fusionstyle that was popularized by Jefferson Airplane to be regarded as the archetype "60s Sound". In 1968-69, the band often toured with The Doors. They were also one of the opening acts for Eric Burdon and the Animals in 1968. One of their best-known recordings is a version of the traditional folk song "Motherless Child". It appeared on their debut album, Sweetwater, the band's only album to chart nationally in the U.S.. As the band progressed, they developed music more toward the psychedelic folk genre.[2]

The original members of the band were Nancy "Nansi" Nevins (lead vocals/guitar), August Burns (cello), Albert Moore (flute/backing vocals), Alan Malarowitz (drums), Elpidio Cobian (conga drums), Alex Del Zoppo (keyboards) and Fred Herrera (bass). The band's size was unusual for the period, having eight, but with the additional members, they were able to create a more unique sound in recordings and live performances.

On December 8, 1969, three days after Sweetwater performed on The Red Skelton Show, singer Nansi Nevins was severely injured in a car accident, which stopped the progress of the band. Nansi experienced brain damage for some years following the collision, and one of her vocal cords was permanently damaged. Nansi would never again complete a full album with the band, although she still had some recordings prepared for the next two albums.[3][4]

The group reunited for Woodstock '94 in 1994 with three original members – Nevins, Herrera and Del Zoppo. August Burns died in the 1980s, Alan Malarowitz was killed in a car crash in 1981, Albert Moore died of pneumonia in 1994. Elpidio Cobian works as a film statist. In 1999, the band's story was depicted in a VH1 TV-movie called Sweetwater: A True Rock StoryAmy Jo Johnson portrayed Nansi Nevins, while Michelle Phillips portrayed an older Nancy.

Sweetwater discography

  • Sweetwater (1968)
  • Just for You (1970)
  • Melon (1971)
  • Cycles: The Reprise Collection (1999) – (Individually numbered limited edition of 10,000 copies)
  • Live At Last (2002)

Nancy Nevins' solo discography

  • Nancy Nevins (1975)
 

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